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Outfielder ... Shortstop ...You're out
can be re-written as
—with accented syllables—
Outfielder ... Shortstop ... You're out
Accented or unaccented syllables
have hard or soft sounds
—so to speak—
then
Outfielder ... Shortstop ... You're out
becomes
hard-soft-soft ... hard-soft ... soft-hard
I would not blame any reader
for dismissing all of the above
as pure nonsense
but if understanding
how to
write a poem
is your choice
then
the baseball "units"
serve as mnemonic devices
for remembering how
to write formal poetry
with each syllable
in the correct place
the dachtyl ... the trochee ... the iambic
are the most common
structural units
for the placement of
the dachtyl ... the trochee ... the iambic
represent
hard/soft/soft ... hard/soft ... soft/hard
combinations of three or two
syllables
Outfielder ... Shortstop ... You're out
are three easy examples
of the above
Now, however, Mr. Oliverio
must interject
(1) a universal truth:
HUMOR
makes the learning process
easier to swallow
and
(2) a factual truth:
As a writer,
I am not fit to shine
the shoes of
whose equally
hysterical/sad/profound
novel
City Boy
states all of the above
with pure clarity
and much laughter
Wouk wrote the novel
in 1948,
the year my mother
was inseminated
with what would become
her only son
***
I have only twenty more pages
to finish reading
City Boy
and have said
much more than enough
on this page
***
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